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No Description Available.
Genre: Classical Music
Media Format: Compact Disk
Rating:
Release Date: 16-MAY-2006
This unique, limited-edition boxed set offers 50 CDs of the greatest choral masterpieces of the past 500 years, stretching from Renaissance Masses and the glories of the Baroque and Classical eras through to the major works of the Romantic era and the diversity of the 20th and 21st centuries, all in some of the greatest recordings ever committed to disc.
Western art music owes its very existence to the church: harmony and multi-stranded polyphony derive from the work of church musicians working across Europe 500 years ago, seeking either to expiate sins or glorify and magnify the Almighty with praises: hence the title `Magnificat'.
The performances include an array of stellar artists in exceptional - even legendary - recordings from two of classical music's greatest labels, Decca and Deutsche Grammophon. Citing just some: John Eliot Gardiner's definitive Bach B Minor Mass, and St John Passion, famed Monteverdi Vespers and Brahms Requiem readings; Peter Schreier's Award-winning Mozart Requiem; Paul McCreesh's Haydn Creation and Schütz Vespers; Giulini's Rossini Stabat Mater; Solti's incandescent Verdi Requiem and Mahler Symphony No. 8; Christopher Hogwood's incisive period-instrument Messiah; the acclaimed Walton Belshazzar's Feast with Bryn Terfel; Britten's own definitive War Requiem and Bernstein's interpretation of his Chichester Psalms among many others. Sung texts - including a translation into English where appropriate - are included on a special bonus CD
A 160-page booklet offers detailed tracklistings, full artist and production information including details on recording dates and venues and producers. A 4000-word essay by noted choral music writer Andrew Stewart is provided in English, French and German.
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No Description Available
No Track Information Available
Media Type: SACD
Artist: KARAJAN,HERBERT VON
Title: SYMPHONIES
Street Release Date: 11/25/2003
Genre: CLASSICAL ARTISTS
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Although Argerich has participated in numerous musical partnerships, not to mention her longtime mentoring of young artists, her associations with violinist Gidon Kremer and cellist Mischa Maisky are surely among the pianist's most substantial and musically rewarding collaborations. The present collection includes all of the Argerich/Kremer and Argerich/Maisky duo recordings for Deutsche Grammophon as originally released and in chronological order, allowing listeners the opportunity to trace each duo's evolution in terms of artistic rapport, sensitivity, risk-taking and the fine tuning of nuance.
Any discussion of Beethoven's violin sonatas (CDs 1, 4, 9 & 10) must address the fact that the composer did not designate these works as being "for violin and piano". For example, the first published edition of the "Spring" Sonata op. 24 from October 1801 reads "Sonate pour le Piano Forte," in large letters, followed in smaller print by "avec un Violon." Similarly, the title-page of the first edition of the "Kreutzer" Sonata op. 47 from April 1805 reads "Sonata per il Piano-forte ed un Violino obligato." None of this should be taken to mean that the violin writing plays "second fiddle" to the piano part, so to speak, but rather that both instruments carry equal weight within the musical discourse.
Argerich and Kremer understood this from the start of their recorded Beethoven encounters, originally intended as part of a series encompassing all the violin sonatas, the music for cello and piano with Maisky, plus the five piano concerti with Giuseppe Sinopoli and the Philharmonia Orchestra (in the end, Argerich and Sinopoli recorded only the First and Second Concertos). Initially Argerich expressed apprehension about recording Beethoven, lest her readings might sound self-conscious under the microphone's objective, unforgiving scrutiny. Yet, during an interview conducted prior to the cycle's final sessions, both Argerich and Kremer spoke of using the recording process to look for the unexpected. "It was an inspired idea to match (Argerich) against a violinist so unpredictable as she is herself," wrote Edward Greenfield in Gramophone, "for though there is nothing `safe' about these interpretations, and not everyone will respond to their sparkling, volatile qualities, the liveness of the experience is undeniable."
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Globally recognized as the ONLY authoritative edition
of Bach's works NOW AVAILABLE at a NEW
competitive price - a celebration of a lifetime's work
- and sought-after throughout the World hänssler
CLASSIC's Complete Works of Bach, produced in
cooperation with the International Bach Academy.
172 CDs - recorded under the direction of Professor
Helmuth Rilling from 1975 to 2000!
Helmuth Rilling was awarded the Grand Prix du
Disque for his landmark recordings of cantatas and
they now enjoy benchmark status. They feature the
great names of the singing world: including Arleen
Augér, Julia Hamari, Aldo Baldin, Dietrich Fischer-
Dieskau, Wolfgang Schöne, Peter Schreier, Andreas
Schmidt accompanied by Gächinger Kantorei, Bach
Collegium Stuttgart, Helmuth Rilling and others.
172 CDs - over 175 hours
1 CD-ROM with 5000 page eBook
(includes all song texts, introductions,
and biographical notes)
2 books with BWV- (288 pages) and
CD- (144 pages) number listing and
additional information
includes the complete:
Chamber Music, Cantatas,
Orchestral Works,
Passions & Oratorios,
Chorales & more.
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Leonard Bernstein's Young People's Concerts with the New York Philharmonic stand among his greatest achievements. These televised programs introduced an entire generation to the joys of classical music. Bernstein conducted his first Young People's Concert on January 18, 1958, just two weeks after becoming Music Director of the New York Philharmonic. Such programs were already a Philharmonic tradition when Bernstein arrived, but he made them a centerpiece of his work, part of what he described as his "educational mission." Looking back on the concerts years later, he referred to them as being "among my favorite, most highly prized activities of my life." When he took a sabbatical season from the orchestra in 1964-65, he still came back to lead the Young People's Concerts. He continued to lead these programs until 1972, even though he had stepped down as director of the Philharmonic in 1969. Bernstein led a total of fifty-three Young People's Concerts during those fourteen years, and covered a broad range of subjects. The works of the great composers were explored, including tributes to modern masters such as Dmitri Shostakovich, Paul Hindemith, Gustav Holst, Aaron Copland and Charles Ives. Bernstein discussed "Jazz in the Concert Hall," "Folk Music in the Concert Hall," and "The Latin-American Spirit." He explained the intricacies of Music Theory in programs such as "Musical Atoms: A Study of Intervals" and "What is a Mode?" He broached complex aesthetic issues such as "What Does Music Mean?" (his first program) with clarity and without condescension. Bernstein also used the Young People's Concerts to introduce young performers to the musical world. The sixteen year-old pianist André Watts made his debut in the concert of January 15, 1963. Originally broadcast on Saturday mornings, the programs were considered so important that for three glorious years CBS presented them at 7:30 p.m. (prime time for television viewing). Eventually the programs were moved to Sunday afternoons. The concerts were translated into other languages and syndicated to forty countries.
A limited-edition 50-CD set of legendary recordings celebrating the world-renowned DECCA sound.
Classic-status pioneering stereo recordings from the past 55 years and starring a galaxy of internationally-acclaimed artistic talent. Each CD is presented in a sleeve with original cover art, along with a short review of the main work. Where an original release may have been of short duration due to limitations of the LP a bonus work featuring the same artists has been added. Also included is a 200-page booklet documenting the development of stereo recording as it developed in the 1950s through to modern digital recordings. Full recording information on each disc is included and there are numerous photographs. Truly a must-have collection for any audiophile.
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TVs are getting bigger!
10 years ago, I would've looked at a big screen TV and wondered if I would ever own such a thing. I always believed that they were too expensive and only high class wealthy people could only afford it. But then again, that was 10 years ago. Prices have come down drastically since and the size of the screens have ever so gotten bigger. It seems like anything less than a 50? HDTV is too small. However, there's always a price to pay. With bigger screens, the energy consumption of these televisions have skyrocketed. Not to make it seem like they've become less energy efficient over the years, it's just that bigger things usually require more power to make them operational. Since more and more people are buying bigger TV's these days, the government took notice and Energy Star even revised their standard for TV energy efficiency.
Energy Star Specifications For Televisions
On September 3, 2009, Energy Star finalized their updated specifications for televisions. Version 4.0 goes into effect on May 1, 2010 and Version 5.0 goes into effect 2 years later in 2012. To be Energy Star rated, the television must meet these new specification requirements.
The Energy Star requirement for TV's greater than 50 inches will be that of 50-in TV category. If 72-inch HDTV meets all of the requirements of 50-in category, then it will receive an Energy Star label. So, Version 5.0 televisions will be 55-65% more efficient than those that are being used today. Today, an average American home houses just over 2 TVs. There are over 112 million households in the United States, which equates to approximately 225 million TV currently being watched everyday in America. Energy Star website approximates at 250 million TVs in America today. That's a lot of televisions and the new specifications will help reduce a lot of kilowatts consumed!!
Most Energy Efficient HDTVs I love Cnet.com for their thorough research and product testing for whatever technological product you may be looking for. I did a simple search in their website for most energy efficient televisions and they recently posted an article describing just that. I will summarize their findings here for you.
The Samsung UN55B8500 55-Inch 1080p 240 Hz LED HDTV is not for just anyone, as it boasts a ,000 price tag. However, it did deliver the best picture quality of any LCD tested by Cnet.com. Its tested operational power consumption of 136 watts is excellent given the size of the TV. It's estimated annual operational cost is just .
The Sharp AQUOS LC46LE700UN 46-Inch 1080p 120 Hz LED HDTV is more affordable than the Samsung above, listed at under ,400. This is rated as the most energy efficient of its kind, but the picture lighting quality was just average. The operational power consumption was tested at 102 watts and the estimated annual cost is about .
The Samsung UN46B6000 46-Inch 1080p 120 Hz LED HDTV is comparable to the Sharp above, listed at around ,600. This TV gets a high rating for its style, but the performance is just average by its standards. The operational power consumption was tested at 106 watts and /year in energy costs.
The VIZIO VF551XVT 55-Inch XVT-Series TruLED 240 Hz SPS HDTV provides excellent quality for the buck, listed at ,200. The operational power consumption was tested at 162 watts with estimated energy costs at around /year.
The LG 47LH90 47-Inch 1080p 240Hz LED Backlit LCD HDTV is listed at ,800 and provides extreme color and picture due to its backlit feature. The tested operational power consumption was 141 watts, costing you about /year in energy costs.
The Sony BRAVIA VE5-Series KDL-46VE5 46-Inch is not equipped with LED technology, but the price tag of about ,200 and the picture quality performance are still respectable. The operational power consumption was tested at 125 watts with estimated energy costs at /year.
So, there you have it. If you're in the market for a big screen HDTV, why don't you consider going green and buy an eco-friendly, energy-efficient HDTV?